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It is part of Grecco's broader documentation of musicians onstage and backstage
and Lou Reed at a defining moment in the evolution of modern rock
but the social and artistic environment from which a new visual language emerged
standing at the microphone with one arm raised in a charged stage gesture
Michael Grecco records the band as a social composition: seated and standing figures
William S. Burroughs with Debbie Harry, New York City, 1980 Blondie It is part of Grecco'sWilliam S. Burroughs and Debbie Harry photographed in New York City in 1980 by Bobby Grossman. Here the Beat novelist William S. Burroughs sits beside Debbie Harry, the frontwoman of Blondie, in a pairing that captures the easy traffic between literature and pop in downtown New York. Burroughs had become a revered figure to punk and new wave musicians, his deadpan presence a fixture of the same Bowery and club world that produced Harry. By 1980
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